Ciò che inferno non è

The Italian backdrop adds a rich cultural layer to the story. I'm curious how much the author drew from real places or personal experience to shape this atmosphere.

Their journey felt both intimate and universal, making me wonder about the author's own reflections on faith and doubt. How did the author balance hope and despair in the narrative?

The title hints at a nuanced take on inferno, and I wonder what philosophical or personal ideas led to this fresh perspective.