Il passamura

The mix of magical realism and ordinary Parisian settings feels so seamless. I wonder if Aymé drew from personal experiences or classic folklore.

Mož’s ability to walk through walls feels freeing but also isolating. I’d love to hear if others saw this as a commentary on human connection.

It’s such a unique way to explore human longing and societal boundaries. Curious if Aymé intended this as a metaphor for social invisibility.