Il pallido dio delle colline: Sui sentieri della Palestina che scompare

His walks seem to be both literal journeys and metaphorical explorations of cultural memory. I'm curious what personal or historical moments led to this choice.

The descriptions evoke a powerful feeling of things disappearing. I wonder how others connect these landscapes to their own sense of home or history.

It felt like a delicate balance between memoir and history, making the landscape feel alive and layered. Was this approach planned from the start?