Una tela rosso fuoco

The way the story weaves between crime and art was fascinating. I wonder if Francis had a personal interest in art or if it was purely for the intrigue.

The suspense picked up again towards the end, but the middle chapters felt a bit slower. Was that intentional to build tension or just how the story unfolded?

His decisions seemed complex and sometimes morally gray. Did others see him as a hero or more of an anti-hero?