Tutti ti amano quando sei morto. Un viaggio tra la fama e la follia

His collection highlights the awkward and unexpected, but I'm curious about what drew him to these particular stories over more traditional memoir content.

The stories are fascinating but also make me wonder about the toll fame takes on artists and interviewers alike. How did others feel about the darker sides of this world?

Some moments seemed almost too wild to believe — I wonder how much was shaped by storytelling versus real events. Did others find certain stories hard to believe?