La polvere e la gloria

Kantor’s portrayal of both guards and prisoners made me question what drives people in extreme circumstances. Did this complexity make anyone else reconsider notions of good and evil?

The detailed depiction felt both visceral and immersive. I wonder if Kantor's research or personal experiences influenced this intense focus on the daily realities of prisoners.

Knowing the real suffering behind the narrative adds weight, but it also made me wonder how much was dramatized for effect. Did anyone else find themselves reflecting on the real history behind the fiction?