Mezzanotte e non sono ancora famoso

The vivid descriptions often create a surreal or unsettling atmosphere. I wonder what inspired his visual choices to convey emotional depth.

Some narratives felt introspective and slow, but that depth made me reflect more. Was this a deliberate pacing choice or just Hannah’s style?

The title evokes a sense of flight and longing, but I'm curious whether it symbolizes escape, danger, or something else entirely.