Un tram che si chiama desiderio

The New Orleans backdrop feels almost like a character itself, shaping the characters' desires and downfall. Did anyone else feel the setting added a layer of tension that heightens the drama?

Her fragile mental state and illusions made me question how much of her story is truth versus perception. Am I the only one who found her both sympathetic and frustrating?

Williams's use of dialogue and pauses creates such intensity. I wonder if the staging choices or the script itself were designed to maximize this sense of claustrophobia and despair.