By Elmore Leonard - Touch (1987-10-16)

Leonard's wit and humor are a hallmark, but do they undercut or enhance the suspense? I’m curious how others felt about the tone shifting between dark and funny.

The characters often blur the lines between good and bad, which made me wonder if this was a conscious theme or a natural outcome of Leonard’s style.

The story balances dialogue-driven scenes with moments of reflection. I’d love to hear if this pacing kept others engaged or if it felt uneven.