Mourir au printemps (Y)

The contrast between the young characters' innocence and the brutal realities around them was striking. I wonder what inspired this particular approach.

There were moments that felt almost meditative, which made the intense scenes hit even harder. I'm curious if this was a deliberate choice to reflect the characters' inner states.

The detailed depiction of the environment added so much depth, and I wonder if the author drew from personal history or extensive research.