Le Pavillon d'Or

The detailed descriptions of Kyoto's temples and streets seem to mirror the character's psychological state. I'm curious whether Mishima intended the city itself to be a symbol in the story.

The protagonist's fixation on the Golden Pavilion is intense, but I kept questioning whether his perspective is justified or if he's unreliable. What was your take?

The blend of historical context and personal obsession creates a complex atmosphere. I'm wondering what led Mishima to frame the story around the temple's burning.