La Maison au bord du monde

The sense of creeping dread in the house feels timeless, but I wonder what choices Hodgson made to evoke that feeling so effectively.

The story leaves a lingering sense of loss and cosmic insignificance. Was that Hodgson's intention, or did it come across differently for others?

The fusion of supernatural and cosmic themes feels ahead of its time. I’m curious whether Hodgson saw this as a commentary on the unknown or purely as fiction.