Le Chauffeur (Les thrillers de John Milton t. 3)

Having a character with such a minimal backstory adds a layer of mystery, but I wonder if it also reflects on themes of identity and agency in the story.

The nonstop action kept me on the edge of my seat, but I found myself wishing for a moment to breathe. Was that balance intentional or just how the story unfolded?

The story relies heavily on atmosphere and internal monologue, which is impressive. I’d love to hear what choices went into maintaining suspense without over-explaining.