Caveaux Funestes

The integration of history and crime felt seamless and enriching. I'm curious whether this was a deliberate choice to add depth or if it evolved during writing.

The story's tension was high at the start and end, but some middle sections felt a bit more reflective. Was that intentional to build atmosphere or character depth?

The detailed descriptions made the environment come alive. I wonder if real museums or stories from history influenced this choice?