Dis-moi que tu m'aimes

The shifting viewpoints added layers of suspense but also made me wonder how much of the tension was planned from the start. Did this approach come naturally or evolve during writing?

It made me think about how vulnerable we are to surveillance today. Was that sense of paranoia intentional to mirror real-world fears?

The story unfolds gradually but doesn't lose momentum. I'm curious if this balance was a challenge or something that came naturally in the editing process.