Rétromania

Reynolds dives into nostalgia's grip on music and media, but I'm curious what motivated this particular angle. Was there a specific event or trend that sparked this analysis?

The book made me think about whether our reliance on past styles is hindering innovation or if it's just a natural cycle. Has anyone else experienced this conflicting feeling?

It's interesting to consider whether 'Retromania' encourages a more critical approach to nostalgia or if it just deepens our obsession with the past. What are others' thoughts on this?