La perspective: Apprendre à dessiner pas à pas

Understanding perspective is crucial for realistic art, but I wonder what motivated Norling to make it the centerpiece of this book. Was there a particular breakthrough moment?

The book's techniques seem very practical, but I'm curious if others have successfully applied these methods to their own art projects or if they struggled at any point.

The structure feels very intentional, guiding readers from simple to advanced perspective. I wonder if this was based on teaching experience or a specific pedagogical approach.