Je sais que tu sais

The shifting viewpoints kept me guessing but also made me question how well I really knew the characters. I'm curious if this was planned from the start or developed during writing.

The pace of revelations was intense, but I wondered if it balanced realism with thrill. Would the story have felt different if secrets had been revealed more gradually?

It added a layer of complexity to trusting what was presented, and I wonder what led to that creative choice—did it evolve during the drafting process or was it always part of the plan?