L'Enfant-bouc ou Version revue et corrigée du Nouveau Syllabus

The novel weaves a complex tapestry of symbols and myths. I'm curious whether these choices were driven by personal interests or literary influences.

There were parts that felt dense with philosophical ideas, which made me pause. Do you think this was necessary to build the satire or did it hinder the flow?

His transformation feels both humorous and profound, but I wonder what message the author was ultimately conveying about individual agency.