Tueurs en Exil

The dark atmosphere really immerses readers in the crime world. I'm curious whether this was a conscious stylistic choice or evolved naturally during writing.

Some decisions felt morally gray and made me question what I’d do in their place. Did these dilemmas reflect real-life complexities or serve the story more?

Shifting viewpoints added layers to the mystery, but I wonder if this was planned from the start or if it grew organically during revisions.