El arte del montaje: Una conversación entre Walter Murch y Michael Ondaatje

The dialogue format makes complex ideas about art and editing accessible, but I wonder if this was planned from the start or evolved during writing.

The book's discussion on montage and storytelling made me see films in a new light. I'm curious if others felt similarly or if it resonated differently.

The selection of topics feels very deliberate, highlighting certain philosophies and techniques. What do you think led to these specific choices?