El diálogo (Fuera de campo)

The book is filled with diverse examples; I wonder how he chose which ones truly exemplify effective verbal action. Was it based on impact, familiarity, or personal preference?

His insights seem tailored for screenwriting and theater, but I’m curious if these principles translate well to novel writing or other forms of storytelling.

McKee emphasizes dialogue’s power in conveying character and advancing the story. I wonder what led him to see dialogue as the most vital element for verbal action.