Der Eismann kommt. Schauspiel in 4 Akten

The confined space feels almost like a character itself, reflecting the characters’ trapped minds. Did anyone else feel the setting heightened the sense of hopelessness?

O'Neill’s characters are so deeply flawed and vulnerable — I wonder what inspired him to write them with such brutal honesty.

There were moments where the dialogue felt almost like a monologue — I’m curious if that was a deliberate choice to build tension or a pacing challenge.