Liebe in Zeiten des Hasses: Chronik eines Gefühls 1929–1939

The tensions of 1929-1939 Germany are intense, but what drew the author to explore the emotional undercurrents of that era through personal stories?

Many stories highlight despair, but some moments in the book felt surprisingly optimistic. How did others interpret the art community's resilience?

The intersections between politics and art are fascinating here. Did the author intend to show how art was a form of resistance or escapism?