Das Bewegungsbild, Kino 1

Deleuze's ideas are dense and revolutionary, but I'm curious about what sparked his interest in cinema's visual and philosophical aspects. Was it a particular film or a theoretical influence?

The book dives deep into film movement and perception, which can be challenging. I'm wondering if others found this approach illuminating or a bit dense.

His framework offers a new lens, but I’m curious whether this perspective has made people see familiar movies differently or opened up new interpretations.