ONE-PUNCH MAN 14: Das Ende der Verzweiflung

The exaggerated expressions and dynamic panels really make the comedy pop. I wonder if the artist’s style evolved over the series or stayed consistent from the start.

Some chapters felt like a quick breath of fresh air, while others lingered a bit longer on jokes. Was this intentional to build up certain scenes or just the natural flow?

The mix of satire and action feels unique and refreshing. I’m curious what influences or ideas led to this specific tone and approach.