誰的博物館？：讓殖民史現形，揭開頂尖博物館避而不談的暗黑故事&觀看思辨

The book challenges us to rethink how art is displayed and understood. I'm curious about what motivated this specific focus and how it evolved during research.

The discussions on repatriation are complex and emotional. I wonder how others are processing these moral dilemmas when visiting museums.

The book covers a vast history, but choices had to be made about what to include. I’d love to know what guided those editorial decisions.