哗众取宠

The book's title suggests a focus on art's relationship with the public. I'm curious how Perry intended this metaphor to shape our understanding of artistic authenticity versus spectacle.

He challenges some trends while celebrating others, which made me wonder if there's a personal element behind his perspectives. How did others interpret his stance on art commercialization?

His emphasis on craft and accessibility seems to blur traditional distinctions. I wonder if this approach makes his arguments more inclusive or divisive among art aficionados.