Demir Kral

Maurice Druon’s depiction of medieval France feels vivid and authentic, but I wonder how much was driven by research versus narrative needs.

The backstabbing and alliances reminded me of contemporary political dramas, but set in a brutal medieval context. Was this tension intentional or just natural to the era?

The lines between hero and villain blur often, which kept me guessing. Did anyone else find themselves sympathizing with characters who committed terrible acts?