Спасите котика! Всё, что нужно для написания романа

The book distills storytelling into clear beats, but I'm curious how the author chose which ones to highlight or omit. Did personal experience influence this selection?

While the framework is helpful, I wonder if some of the story beats felt restrictive or unnatural for certain genres or stories. Has anyone struggled with adapting it?

The original screenwriting method is well-known, but applying it to novels seems like a different challenge. I'm curious about what motivated her to create this particular guide.