How did Ruth Rendell craft such a compelling sense of atmosphere in this detective story?
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From Doon With Death
From Doon With Death
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How did Ruth Rendell craft such a compelling sense of atmosphere in this detective story?
Did anyone else feel the pacing slowed down in certain parts, or was that intentional to build suspense?
What do you think motivated the detective’s approach to solving the case — was it purely logical or more intuitive?
