Um Milhão de Mundos com Você (Firebird, #3)

The story jumps between different realities, and I wondered how much planning went into making each feel distinct yet connected. Was this structure planned from the start or developed during writing?

The stakes seemed higher knowing that love could exist in so many different versions of reality. How did the author balance the romance with the sci-fi elements to keep both compelling?

It's a fascinating idea that love isn't confined to just one universe. I wonder if this was influenced by any particular philosophical or scientific theories about parallel realities.