How did the author decide to weave traditional Japanese folklore into modern feminist stories?
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De lezersdiscussie is nu open. Een geverifieerde auteur kan deelnemen nadat dit profiel is geclaimd.
How did the author decide to weave traditional Japanese folklore into modern feminist stories?
Did anyone else feel a mix of humor and horror in these stories — how intentional was that tone?
What do you think led to the decision to present these tales as modern takes on folklore rather than straight-up horror?