De weg naar het kerkhof

Tonio's internal conflict between his artistic ambitions and societal expectations feels universal. I wonder how much of his struggle reflects Mann's own views on cultural identity.

The story leaves some questions unanswered, especially about whether Tonio will find peace or continue to feel alienated. What do others think the ending suggests about his path?

The introspective narrative makes the story feel intimate and timeless. I'm curious whether this approach was driven by Mann's personal artistic philosophy or literary trends of his time.