De moorden op Kingfisher Hill

I’m curious about how she channels Christie’s style while adding her own twist. Did she attempt to stay true to the original tone or bring something fresh?

The story had some quiet moments that felt different from typical thrillers — I wonder if that was a deliberate choice to deepen the atmosphere.

The setting felt so immersive, but I’m curious whether Sophie Hannah did a lot of research or relied on existing knowledge of the era to craft the world.