De haas met de amberkleurige ogen

The blending of personal family stories with the history of the art collection adds a poetic layer. I'm curious whether this approach was planned from the start or developed during research.

The book made me think about how individual lives are intertwined with global upheavals. I wonder if others felt this personal-meets-historical perspective enhanced the story.

The selection of specific objects and anecdotes felt very intentional. I'm curious about what guided those choices—was it personal significance or a narrative device?