Middernacht op Sicilië. Over kunst, keuken, geschiedenis, reizen & Cosa Nostra

The book masterfully blends crime and politics; I'm curious whether this approach was driven by the author's research or a narrative choice to reflect Sicily's complex identity.

I appreciated the depth, but some sections felt dense. Was this intentional to give a fuller picture or could it have been streamlined for better pacing?

The selection of stories and events shaped the overall narrative. I wonder what criteria or sources influenced these choices to emphasize certain moments over others.