Forty Thousand in Gehenna

Cherryh's world-building is so immersive — I wonder if she drew from real-world cultures or crafted everything from her imagination.

The ethical dilemmas felt very real and complex, making me question what I would do in similar situations. Am I the only one who found it emotionally challenging?

The story moves steadily but never feels rushed or too slow. I'm curious whether this was a conscious choice or evolved naturally during writing.