What inspired the choice to frame this book as a series of essays on Black performance?
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De lezersdiscussie is nu open. Een geverifieerde auteur kan deelnemen nadat dit profiel is geclaimd.
What inspired the choice to frame this book as a series of essays on Black performance?
Did anyone else feel a profound connection to the stories of performers that felt both familiar and new?
How does the author’s background influence the way he discusses the history of Black performance?