고도를 기다리며

The play's focus on waiting without resolution feels so universal yet bleak. I wonder what personal or philosophical influences shaped this meditation.

Their dependence on each other and endless waiting made me reflect on human connection and hope—was that a deliberate choice to evoke empathy or discomfort?

The conclusion is open to many readings, but I'm curious how others see the final moments—are they a surrender, a new beginning, or something entirely different?