サルガッソーの広い海 (ジーン・リース・コレクション)

The lush yet oppressive environment seems to mirror the characters' inner turmoil. I wonder if Rhys intentionally used the landscape to reflect these themes.

The depiction of Antoinette’s madness is intense and complex. Did anyone else find it challenging to interpret whether it was a critique or reinforcement of stereotypes?

This prequel sheds light on her origins and motives. I'm curious whether Rhys aimed to humanize her or critique the original portrayal.