わたしの名は赤〔新訳版〕　（上） (ハヤカワepi文庫)

The narrative shifts between different characters and viewpoints, reflecting the diverse voices of Ottoman society. Was this structure planned from the start or did it evolve during writing?

The conversations about art, religion, and life are fascinating but sometimes dense. Do readers think these moments enhance the story or could they have been more concise?

Balancing these elements creates a rich tapestry, but I wonder if the focus on artistic themes was the primary goal or if the romantic and suspense aspects emerged naturally.