死んでいる (白水uブックス―海外小説の誘惑)

The book's focus on the stillness and aftermath of death is striking. I'm curious whether Crace aimed to challenge typical portrayals of dying or had a different message in mind.

The deliberate pacing made moments of reflection more intense, but I wonder if it might put off readers expecting more action. How did others experience this balance?

The sparse prose seemed to mirror the silence of death itself. I'm interested in whether this stylistic choice deepened the book's philosophical tone.