Senandung Ombak

The sense of place feels so vivid and almost like a character itself. I'm curious whether Mishima drew from personal experiences or cultural symbolism for this setting.

The quiet moments between the characters were so beautifully rendered, but I wondered if the subtlety was intentional to reflect traditional Japanese values.

The contrast between innocence and the weight of societal expectations made me think about how environment shapes behavior—what do others think about this duality?