الإنسان والسوبرمان

Shaw's concept of the Übermensch challenges traditional morality and social norms. I'm curious what philosophical influences led him here.

The play balances humor with heavy ideas about human evolution. I wonder if this tonal shift worked for others or felt uneven.

The title suggests a duality—are they meant to be separate ideals or parts of the same evolution? I'd love to hear different takes.